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Another Reason Why The Royal in Toronto is the BEST Indie Cinema, not just in Toronto, but Canada (and one of the best in the world). Anna Biller's THE LOVE WITCH - on the big screen, where it's meant to be seen! The Royal has the best sound and picture in the city (by day, it's Theatre D Digital, a sound mixing studio for the movies) and the sumptuous colours of Anna Biller's ode to 70s Euro-Trash are going to look more gorgeous than ever. The seats are super-comfy too.!!! Review By Greg Klymkiw

The Love Witch is precisely the sort of movie I'd have seen during the 70s and 80s in one of my favourite (and long-gone) grind houses in Winnipeg that dotted Portage Avenue and Main Street in my old winter city like neon beacons of all that was truly sacred in life. Now you can see this ode to magnificent Euro-Trash in the very best cinema in Canada.

It will be glorious, but be warned, The Royal Cinema is sadly bereft of sticky floors, the aroma of urine/cum and toothless hookers giving gum jobs to malcontent veterans (of both Great Wars).

Well, we can't have everything.


The Love Witch (2016)
Dir. Anna Biller
Starring: Samantha Robinson, Gian Keys,
Laura Waddell, Jeffrey Vincent Parise, Robert Seeley

Review By Greg Klymkiw

Babes, witches, devil worship, black magic and sex, sex and more sex were the mainstay of a lovely sub-genre of 70s Euro-Horror that nobody in their right mind could outright dismiss.

American counterparts amongst these garishly-coloured bonbons never quite lived up to the titillation quotient of Euro sleaze masters like Jean Rollin, Jesus Franco, et al, but no matter, director Anna Biller more than makes up for Uncle Sam's lack of quality output with her very own contemporary masterwork of delectably naughty feculence.

Mega-babe Elaine (Samantha Robinson) has left San Francisco and a mysteriously malevolent past behind her. Resettling in a small town in Redwood country at the behest of some "white" witches, Elaine soon unleashes her genuine powers of "black" magic upon a variety of studs. Plenty of carnal gymnastics, nudity and murder follow.

We should all be lucky enough to have someone like Elaine to love us to death.


Biller creates a sumptuous, sex-drenched tale, shot in gloriously garish colour (in 35mm no less), parading ritual and rapture in equal measure. Those acquainted with the cinematic world she recreates (with a few new frissons) will have nothing to complain about. Those who aren't quite as abreast of it, might still derive pleasure from this diverting carnal romp.

The rest can go to church.

THE FILM CORNER RATING: ***½ 3-and-a-Half Stars

The Love Witch is an Oscilloscope Release enjoying its Canadian Theatrical Premiere at The Royal Cinema, 608 College St. Toronto:
2017-02-04 9:30 PM
2017-02-07 8:00 PM
2017-02-12 8:00 PM
2017-02-19 4:30 PM
2017-02-25 3:30 PM
2017-03-04 9:30 PM.

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