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| Original 1974 Poster |
History is in the making today. It will rival that of the Seven Years' War, the moronic Tory-led burning of the Parliament Buildings, Mayor Camillien Houde's brave protest against Anglo-enforced conscription, the opening of the Saint Lawrence Seaway and, of course, Expo 67.
Tonight, July 30, 2014, you will be forced to CHOOSE between TWO great EVENTS happening AT THE SAME TIME during the 2014 edition of the FantAsia International Film Festivals. At 9:40 PM in the DB Clarke Theatre, you can see the terrific South African crime thriller by Ian Gabriel entitled Four Corners and FIVE FUCKING MINUTES LATER at 9:45 PM in the Concordia Hall Theatre, the legendary filmmaker Tobe Hooper will be on hand IN THE FLESH to received FantAsia's Life Achievement Award, which will then be followed by a screening of Dark Sky Films' astonishing 40th Anniversary Restoration (from the original 16mm reversal negative) of Hooper's masterpiece The Texas Chainsaw Massacre.
Below you will find capsule reviews (with links to the full reviews) of Four Corners and The Texas Chainsaw Massacre. Read 'em and weep. If you can't be in Montreal tonight, just weep, sucker!
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| A tattooed prison lifer knows all, because he's seen all and stays alive with his constant hawk-like gaze. |
Dir. Ian Gabriel
Starring: Brendon Daniels, Jezriel Skei, Abduragman Adams, Irshaad Ally, Lindiwe Matshikiza,
Review By Greg Klymkiw
Four Corners (as harsh and brutal as much of it is) compares to being a kinder, gentler and more straightforward South African version of Amores perros by Mexican auteur Alejandro González Iñárritu, though it never feels like homage, nor is it derivative. Ian Gabriel's finely crafted film focuses on a handful of inter-connected characters as we follow the amalgamation of their individual stories into each other. There's a sense of melancholy and tragedy running through this beautifully acted film, but there are also touches of an eventual new world for all the characters and a strong sense that perhaps their children and their children's children will be the ultimate beneficiaries of their pain, struggles and sacrifices in a country still hurting from the hideous legislation of segregation and racism. READ THE FULL REVIEW HERE.
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| It's ALWAYS about the MEAT!!! |
Starring: Marilyn Burns, Paul A. Partain, Edwin Neal, Jim Siedow, Gunnar Hansen, John Dugan, William Vail, Teri McMinn, Robert Courtin, John Henry Faulk, John Larroquette
Review By Greg Klymkiw
"There are moments when we cannot believe that what is happening is really true. Pinch yourself and you may find out that it is." - A horoscope read aloud during The Texas Chain Saw Massacre.
What hit me when I first saw The Texas Chain Saw Massacre is how brilliantly the movie is sectioned into two separate, yet inextricably linked halves, the first being a simple narrative set-up for its especially harrowing second half. Creepily building during the first 40 minutes, with occasional exclamatory jolts of violence, the picture delivers a solid bedrock from which it plunges you headlong into the second 40 minutes, a relentless nightmare on film. This is not a passive experience - you're slammed deep into the maw of pure, sheer, unrelenting terror.
Beg all you like. The nightmare never seems to end. When it finally does, the utter dread and revulsion generated by the whole experience stays with you forever. This, of course, is not because of the gore, or the extremity of the violence, but rather because the tone of the movie is so unlike anything you will have experienced. Even with all the slasher films, torture porn and moronically graphic remakes that have assailed contemporary audiences over the past decade, none of them come close to the disquieting power and intelligence with which The Texas Chain Saw Massacre is so astonishingly infused with. As they say, this one's for the ages. READ THE FULL REVIEW HERE.